Eteri Chkadua (born in Georgia) Is a artist and a designer. Currently she works and laves in NYC, Kingston (Jamaica) and Tbilisi (Georgia). After completing Academy of Arts in Tbilisi , Georgia, Eteri married American linguist Kevin Tuite and moved to United States in Eteri was one the very first Georgians who left country and could experience leaving in the free country , that most Soviets citizens couldn&#;t dream of late is . She wanted to make most of it and by using her artwork share and inspire people she left behind. Her work introduces her culture, it&#;s traditions and shortcomings and troubles at the geopolitical gunpoint , while her Art took different directions in her 30 years . Her art touched various subjects : race , gender, feminism, ecology, tabooed traditions, gay rights , religion .With her &#;Magic Realistic &#; paintings Eteri presented her native country in Venice Bienale in . Her paintings were subjected to solo exhibitions at the Luna Kulturhus Consthalen , Sodertalje , Sweden; Museum of Dolls and Museum of Literature , Tbilisi , Georgia;Her paintings were included in the group exhibitions &#; Nude&#; , Aldrich Museum, Connecticut ;
Eteri Chkadua
Painting
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Biography
Eteri Chkadua (born in Georgia) Is a artist and a designer. Currently she works and laves in NYC, Kingston (Jamaica) and Tbilisi (Georgia). After completing Academy of Arts in Tbilisi , Georgia, Eteri married American linguist Kevin Tuite and moved to United States in Eteri was one the very first Georgians who left country and could experience leaving in the free country , that most Soviets citizens couldn't dream of late is . She wanted to make most of it and by using her artwork share and inspire people she left behind. Her work introduces her culture, it's traditions and shortcomings and troubles at the geopolitical gunpoint , while her Art took different directions in her 30 years . Her art touched various subjects : race , gender, feminism, ecology, tabooed traditions, gay rights , religion .With her "Magic Realistic " paintings Eteri presented her native country in Venice Bienale in . Her paintings were subjected to solo exhi
Throughout your career you have been able to willfully and wittingly interweave personal narrations with socio-political commentary of the events around you, as well as back in your home country Georgia. From the radical Rasta paintings in the ‘90 to the more directly political and autobiographical ones in the early , you have been showing how the private sphere is inescapably mingled with the political one, as well as how the war is still a domestic and daily experience, for many. Paintings have long been used to pass on history through generations, including wars. What kind of role and function do you think painting should have in relation with today&#;s society, and with the increasing geopolitical instability we are experiencing?
In my opinion, the most interesting paintings in history describe their time: Art has the power to engage with current events and develop societies. If more artists would address today’s political instabilities, I feel this would have a strong effect in changing their perspectives of &#;wanna be dictators&#;. I also understand the fear involved in doing so, especially in some countries. I grew up in the Soviet Union, but Soviet era paintings we
You are at the same time a Georgian and an artist of the world. How did your Georgian background shape the painter you are today?
I left my country, Georgia, at the age of 23, at the very beginning of the former Soviet Union’s breakdown. I arrived in the US and, subsequently, visited and lived in different countries. At the time – to my surprise – most people I met had no idea about Georgia’s existence. This, in addition to the nostalgia I felt for my homeland, increased my focus on the storytelling of Georgia’s traditions and its territories, occupied by neighbouring Russia. As a result, my paintings explore themes related to memory combined with folklore, myths, legends, traditions, the food of my native country’s ancient culture and its geopolitical problems. At the same time, I wanted my paintings to challenge my fellow citizens and suggest the possibility to abandon ancient values, which are useless to create a fresh and progressive society.
Almost without exception, your female characters carry a mysterious power within: they seem to embody the Amazon, the fearless woman that is ready to conquer, seduce and become empowered. Where would you locate the origins
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