Village Song by Sarojini Naidu (About the Poetess, The Poem & Summary)
Village Song
by Sarojini Naidu
(About the Poetess, The Poem & Summary)
Sarojini Naidu ( &#;) was an Indian political activist and poet. Her mother was poetess. She inherited the instinct of poetry from her mother. She was an important figure in India's struggle for independence from colonial rule. Naidu's work as a poet earned her the sobriquet 'the Nightingale of India', or 'Bharat Kokila' by Mahatma Gandhi because of colour, imagery and lyrical quality of her poetry.
Born in a Bengali family in Hyderabad, Naidu was educated in Madras, London and Cambridge. In England, where she worked as a suffragist, she was drawn to Indian National Congress' movement for India's independence from British rule. She became a part of the Indian nationalist movement and became a follower of Mahatma Gandhi and his idea of swaraj. She had a brilliant academic record. She began to write poetry from a very early age. She was the first Indian poetess who achieved considerable fame by writing the poem in English. She was appointed the President of the Indian National Congress in and later became the
Sarojini Naidu
Sarojini Naidu (February 13, – March 2, ) was born in Hyderabad, India as the eldest daughter of scientist, philosopher, and educator Aghornath Chattopadhyaya, and Varada Sundari Devi, a Bengali poetess. Her father was the founder of the Nizam College, Hyderabad and also the first member of the Indian National Congress in Hyderabad with his friend Mulla Abdul Qayyum. Chattopadhyaya&#;s family heritage was of the Brahman class, originally from Bengal. He was later dismissed from his position as Principal and even banished in retaliation for his political activities. Sarojini Naidu learned to speak Urdu, Telugu, English, Persian and Bengali. Her favorite poet was P.B. Shelley.
She attained national fame for entering Madras University at the age of twelve. At sixteen, she traveled to England to study first at King&#;s College London and subsequently at Girton College, Cambridge. While in England, she identified with the Suffragette movement. Also in England, she was encouraged by the poets Arthur Simon and Edmond Gausse to explore Indian themes in her writing, such as India&#;s landscape, her temples and her people. Her first book of poetry, The Golden Threshold,
Village Song by Sarojini Naidu
Introduction: The poem is about the traditional village way of life, as well as the young girl’s attachment to her family and how the darker surroundings creates anxiety in her thoughts. The speaker of the poem a little rural girl who has gone to gather water from a river that is far away from her house. There are numerous regions in India where people do not have access to running water and must go long distances to gather water from wells, rivers, ponds, or other bodies of water. It is a duty usually performed by women of the house, in which they bring pitchers or vessels full of water to meet the household’s water needs. The poet describes a circumstance in which a girl goes to gather water from a river.
Summary of Village Song
“Village Song” is a traditional folk song from Sarojini Naidu’s second collection of poems, The Bird of Time. The rustic environment reflects the daily ritual of Indian village ladies fetching their daily pitcher of water from a great distance. The rural girl in the poem has returned home after filling her pitchers with water from the Yamuna River. The path to her house is lonely, and she feels fearful as darkness cl
Analysis of Village Song
HONEY, child, honey, child, whither are you going?
Would you cast your jewels all to the breezes blowing?
Would you leave the mother who on golden grain has fed you?
Would you grieve the lover who is riding forth to wed you?
Mother mine, to the wild forest I am going,
Where upon the champa boughs the champa buds are blowing;
To the köil-haunted river-isles where lotus lilies glisten,
The voices of the fairy folk are calling me: O listen!
Honey, child, honey, child, the world is full of pleasure,
Of bridal-songs and cradle-songs and sandal-scented leisure.
Your bridal robes are in the loom, silver and saffron glowing,
Your bridal cakes are on the hearth: O whither are you going?
The bridal-songs and cradle-songs have cadences of sorrow,
The laughter of the sun to-day, the wind of death to-morrow.
Far sweeter sound the forest-notes where forest-streams are falling;
O mother mine, I cannot stay, the fairy-folk are calling.
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