&#;Franco&#; Luambo Makiadi &#; his O.K. Jazz
Live Recording of the Afro European Tour
african &#; ,
Good afternoon, oncemore I am asking for your opinion on
a matter. The title of this LP is &#;Live Recording of the Afro
European Tour&#;. When listening I get the impresssion the
music was made in a studio and the audience was mixed
in afterwards. We saw it before. Another strange thing is
that the pictures inside show the band playing in a studio.
I could be wrong, what do you think ? One way or the other,
the music is as Franco as always, just beautiful, enjoy !
tracks;
LP1
1 Oh ! Miguel
2 Sala lokola luntadila
3 Malou-o bijou
4 Bomba, bomba, mabe
5 Na vanda bombanda
6 Libala ya bana na bana
LP2
1 Lisolo ya adamu na nzambe
2 Mama na bebe
3 Meta mama na bana
4 Mbongo
5 Amour viole
6 Lotambe
Born from a Burundian father and a Congolese mother, his singing career started at the age of 13 in Lubumbashi, Katanga. In the years that followed he was part of several bands, including Tao Tao, Lovy du Zaire and Orchester Kara de Kinshasha. His real breakthrough came at the end of the s after being recruited as a singer in Franco's legendary TPOK Jazz in During this first period with TPOK Jazz, which lasted until , in addition to the aforementioned Simaro composition Mandola (), he also performed Na bali misère () written by Mayaula Mayoni and his own song Katebe ().
&#; Clip: MANDOLA - Djo Mpoy Kanyindaavec TP OK Jazz
&#; Audio: - 1 - Djo Mpoyi & DiathoLukoki
In addition to his triumphs as a singer of Franco&#;s TPOK Jazz, from under the name Le Canon du Za
Mpoyi Kaninda Joseph alias Djo Mpoyi
La Biographie de l&#;artiste est en cours de réalisation. L&#;équipe de l’univers-rumba congolaise est en permanence à la recherche des informations le plus juste possible pour constituer des biographies d&#;artistes. Si vous souhaitez contribuer à la rédaction de la biographie de l&#;artiste, envoyez vos informations ou, mieux vos textes résumant la carrière de cet artiste : sa musique, ses albums, ses chansons incontournables, ses concerts mythiques, ses participations à des festivals, les dates clés de sa vie&#; Pour cela utilisez cette adresse email : Larumbacongolaise1@ ou plkamusic@ La rédaction de L&#;équipe de l’univers-rumba congolaise vous remercie pour votre contribution. C&#;est grâce à vous que le site gagne en qualité et propose un meilleur service.
| Super Mama Djombo around in Guinea-Bissau |
Biography
Before a nation can become real, it must first be imagined. It seems appropriate that Super Mama Djombo, the band that became a primary expression of Guinea-Bissau's identity after independence, was born in the fertile imagination of children.
It started at a boy scout camp. Four young friends (the youngest was only six) named Zé Manel, Herculano, Gonçalo and Taborda came together to play and got their first taste of success. Soon they were playing weddings, baptisms and birthday parties around Bissau. Not long after, they voted in a lead guitarist and vocalist Medina. Then came Chico Karuca, first as a singer, later displacing Taborda on bass. This young band was serious, and voted out any members who they thought weren't keeping pace with the group as they became more skilled. Members came and went, though the core group remained the same.
Ever improving their act, the boys decided that they needed a new name. Their original name was long and in Portuguese; they wanted something more beautiful, powerful, and home-grown. The lead singer suggested Mama Djombo, the name of a sovereign and dee
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