About Artist
During the past 40 years Peter Randall-Page has gained an international reputation through his sculpture drawings and prints. He has undertaken numerous large-scale commissions and exhibited widely. His work is held in public and private collections throughout the world including Japan, South Korea, Australia, USA, Turkey, Eire, Germany and the Netherlands. A selection of his public sculptures can be found in many urban and rural locations throughout the UK including London, Edinburgh, Manchester, Bristol, Oxford and Cambridge and his work is in the permanent collections of the Tate Gallery and the British Museum amongst others.
His practice has always been informed and inspired by the study of natural phenomena and its subjective impact on our emotions. In recent years his work has become increasingly concerned with the underlying principles determining growth and the forms it produces. In his words “geometry is the theme on which nature plays her infinite variations, and can be seen as a kind of pattern book on which the most complex and sophisticated structures are based.”
Born in , Peter Randall-Page studied sculpture at Bath Academy of Art from He was awarde
Bledlow Manor House Gardens
Bledlow Manor House has been owned by the Carington family since the 18th century. The garden came into existence in as the brainchild of the 6th Lord and Lady Carrington who commissioned the landscape architect, Robert Adams to create the garden.
After the 7th Lord Carrington inherited the garden, he commissioned the plantsman and designer Sean Walter in to lead on an extensive replanting and rejuvenation project throughout the gardens. The latest exciting addition to the garden is a brand new tea room (and family museum) which will open this year.
The present garden covers about 12 acres, and utilises a mixture of different terrain and styles, ranging from a Japanese style water garden on converted old cress beds, a walled kitchen garden, to a sculpture garden with number of contemporary sculptures by, amongst others, Peter Randall Page, Michael Cooper, Alistair Lambert, Barry Mason and Paul Vanstone.
We welcome group visits and can tailor tours from general to specialist groups and have facilities to cater for parties up to Contact enquiries@ for information and availability. We are also open some weekends as part of the National Garden Scheme
Inside Outside
Down Amongst the Trilobites I &#; VI
Reflection on Extinction
Cephalopod Embrace
Study for ‘Graven Image’
Embrace Triptych
Wild Man Stone
A Little Bit of Infinity Serpentine VII
A Little Bit of Infinity Serpentine VI
A Little Bit of Infinity Serpentine V
A Bit More Infinity III
A Bit More Infinity II
A Bit More Infinity I
Lunula Stone IV
Lunula Stone III
Lunula Stone II
Lunula Stone I
Betwixt and Between
Arris
Enkidu Stone
Stones to Catch the Light
Mind Walk
A little bit of Infinity I &#; X
A Little Bit of Infinity Serpentine IV
Lunula Stones
Black Pearl
Envelope of Pulsation III
Envelope of Pulsation I
Envelope of Pulsation
Envelope of Pulsation II
Four Lines
Granite Dreaming
Cloud Nine
Stone Maquette IX
Stone Maquette VIII
Playing God I &#; II
Wabi-Sabi
Touchstone
Where it Touches
Envelope of Pulsation (For Leo)
Slip of the Lip
Stone Maquette VII
Stone Maquette VI
Stone Maquette V
Geometry of Desire Maquettes I, II, III, IV, V
Accretion
Confluence
Warp and Woof
Geometry of Desire I, II, III, IV, V
The One and The Many
Dominio Della Mente Sulla Materia
From the Past I &#; II
Upflow
Shapes in
Peter Randall-Page RA
During the past 40 years Peter Randall-Page has gained an international reputation through his sculpture drawings and prints. He has undertaken numerous large-scale commissions and exhibited widely.
His work is held in public and private collections throughout the world including Japan, South Korea, Australia, USA, Turkey, Eire, Germany and the Netherlands. A selection of his public sculptures can be found in many urban and rural locations throughout the UK including London, Edinburgh, Manchester, Bristol, Oxford and Cambridge and his work is in the permanent collections of the Tate Gallery and the British Museum amongst others.
His practice has always been informed and inspired by the study of natural phenomena and its subjective impact on our emotions. In recent years his work has become increasingly concerned with the underlying principles determining growth and the forms it produces. In his words “geometry is the theme on which nature plays her infinite variations, and can be seen as a kind of pattern book on which the most complex and sophisticated structures are based.”
As a member of the design team for the Education Resource
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