Famous female Baroque composers are so rare that this post is of particular importance. Élisabeth Jacquet, French musical prodigy who sang, played harpsichord, organ, and composed beautiful pieces of Baroque, was born on the 17th of March, , in Paris, France, to a musical family. You probably haven&#;t heard about Élisabeth, but she was such an extraordinary individual, that it behooves us all to remember her, a wonderful Seventeenth Century lady&#;
When she was a young girl, she sang and played the harpsichord before the Sun King &#; Louis XIV of France and was much acclaimed, even winning over the King&#;s Maîtresse-en-titre, Françoise-Athénaïs, Marquise de Montespan, who took the young Élisabeth under her patronage.
&#;this is a prodigy who has been appearing here for the last four years. She sings the most difficult music on sight. She accompanies herself, and others who wish to sing, at the harpsichord, which she plays in an inimitable manner. She composes pieces and plays them in any key that we ask.&#; &#; Mercure galant,
Unfortunately, Montespan lost her favoured position with the King around the time of the infamous Affair of the Poisons, and perhaps the
Elisabeth Jacquet de La Guerre
| French harpsichordist and composer. Date of Birth: Country: France |
Content:
- Biography of Elizabeth Jacquet de la Guerre
- Marriage and Departure from Court
- First Book of Pieces for Harpsichord
- Works and Achievements
- Legacy
Biography of Elizabeth Jacquet de la Guerre
Elizabeth Jacquet de la Guerre was a French harpsichordist and composer. Born into a family of musicians, she showed a talent for playing the harpsichord at a young age. At the age of five, she performed on the harpsichord in front of Louis XIV, the King of France.
Marriage and Departure from Court
In , Elizabeth married Marin de la Guerre, an organist, and decided to leave the royal court. Despite leaving the court, she continued to pursue her passion for music and composition.
First Book of Pieces for Harpsichord
In , Elizabeth published her first book, titled "Pieces for Harpsichord." This collection showcased her unique style and mastery of the instrument. Her compositions were well-received and established her reputation as a talented composer.
Works and Achievements
Elizabeth Jacquet de la Guerre was a prolific composer and wrote a variety of music
Elisabeth Jacquet de La Guerre
Élisabeth Jacquet de La Guerre (full name Élisabeth-Claude Jacquet de la Guerre; born Élisabeth Jacquet, 17 March , Paris – 27 June , Paris) was a French musician, harpsichordist and composer.
Life and works
Elisabeth Jacquet was born into an important family of musicians and masons in the parish of Saint-Louis-en-l'Ile, Paris. A childhood prodigy, she played the harpsichord before King Louis XIV to inaugurate her career as a virtuoso performer at the age of five. At the court of Louis XIV she was noticed by Madame de Montespan, and was kept on in her entourage. She later married the organist Marin de La Guerre in and left the court. Thereafter she was known as Elisabeth Jacquet de La Guerre. After her marriage she taught and gave concerts at home and throughout Paris, and gained much acclaim. A quote from Titon du Tillet speaks of her
"marvellous facility for playing preludes and fantasies off the cuff. Sometimes she improvises one or another for a whole half hour with tunes and harmonies of great variety and in quite the best possible taste, quite charming her listeners." (Le Parnasse Français,
Jacquet de la Guerre, Elisabeth-Claude (c. –)
French composer and musician . Name variations: Elisabeth de la Guerre. Born Elisabeth-Claude Jacquet around ; died on June 27, , in Paris, France; daughter of musician Claude Jacquet; married Marin de la Guerre, in (died ); children: one son (died young).
Elisabeth-Claude Jacquet was born around into a family of Parisian instrument makers and musicians. She and her siblings were trained in music by her father, an organist and harpsichord maker. Widely regarded as a prodigy, she first performed on the harpsichord before King Louis XIV when she was four. Her talent won her the lifelong support and protection of Louis and the subsequent admiration of Paris. In , an article calling Elisabeth-Claude "the marvel of our century" appeared in a Parisian magazine, noting that she had already distinguished herself as a singer, harpsichordist, and composer. She continued to play frequently at the royal court, where the king placed her under the protection of his mistresses, Madame de Montespan and Madame de Maintenon , and provided her an annual stipend.
In , Elisabeth-Claude declined the king's invitation to move with his court t
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