Books by Kutti Revathi
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Kutti Revathi
The tree's shadow
Sat still beneath its canopy
Like a Greybird
As if she wished to snatch and carry away even
The protracted silence of the street,
A girl came down sweeping
It was here that
He'd asked me to wait,
Had asked my love too
The sweeper-girl
Went away long ago, taking
The silence with her, while she kept
Turning back to stare at me
Darkness has now begun to stream down
Like tears. Enchanted and fearful,
Like a body ready at last to arrive
At its own flowering, I wait
Here . . . he walks in from afar,
Like a laden cloud about to unburden
Itself of rain
At this unbearable joy,
Red stars have begun to spring in my body
The tree, though,
Is still; not perturbed in the least—
Like a Greybird
Kutti Revathi
இந்தப் பக்கத்தை தமிழில் வாசிக்க:குட்டி ரேவதி
Kutti Revathi (b. in ) is a poet, writer, lyricist, documentary film director and a Siddha doctor by profession.
Personal Life
Kutti Revathi was born in to Suyambulingam in Tirunelveli. She studied Siddha Medicine and Surgery for her under graduation. She completed her doctoral research in medical anthropology at the Madras Institute of Development Studies in Chennai. She is married to R. R. Srinivasan ('Kaanchanai' Srinivasan), a documentary filmmaker.
Literary Life
Kutti Revathi has published 12 compilations of her poetry. Her complete collection of poems is released by 'Ezhutthu Prasuram' publications. In addition to poems, she has published four short stories collections viz.- 'niraya araigaL ulla veedu', ViralgaL', 'Meemozhi', 'Iyakkam'. She has written a novel 'Azhiyac chol'. Pramil and Devadevan are her favourite poets. She is the editor of the quarterly magazine Panikkudam' and owns a publishing house in the same name. Panikkudam publishes the works of feminist litterateurs only.
Literary Position
'Niraiya araigal ulla veedu' is a short story collection written in a poet
Kutti Revathi
Biography
Kutti Revathi is the pen name of Dr S. Revathi. A Chennai-based Tamil poet, her poetry seeks to evolve a subversive language to explore and reclaim a long-colonised realm of experience – “the map of a Tamil woman’s body”.When Kutti Revathi’s second book, Mulaigal(Breasts), was published in , it evoked a storm of protest from the conservatives of the Tamil literary establishment. A group of outraged male film lyricists damned the book. The debate was not limited to the parameters of cultural debate: obscene calls, letters and threats ensued, and comments on the author’s
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